Kronendal Music Academy and Mandela Day 2020

What the incredibly resilient Kronendal Music Academy (kmahoutbay.org) kids realised this past Madiba Day this weekend in celebration of the late-great statesman’s legacy.

Go to to grab your front-row ticket :-)

Please feel free to share, far and wide, for the greater good. Thank yoU!

#kmahoutbay #madibaday2020

4 TONS OF FUN and UNCLE CAL present THE AGE OF ARETHA a tribute to ARETHA FRANKLIN

A celebration through song of the life of the Queen of Soul – ARETHA FRANKLIN

Following the untimely death of Aretha Franklin in August 2018

The three founder members of 3 Tons of Fun, Sthe Mfuphi (Saxy Sthe), Bulelwa Sakayi (Beautiful Bee) and Michelle Thomas (Mysterious Michelle) together with powerhouse Soi Soi Gqeza (Sultry Soi Soi), have produced a fitting tribute to this iconic singer.

Narrated by Ninja DJ, Uncle Cal, these four women with their amazing voices pay tribute to a woman who influenced generations of singers and touched the lives of so many.

The show was performed for the first time in March 2019 at the then Cafe Roux in Shortmarket st, Cape Town (now The Jagger Lounge).

In the spirit of August being Woman’s Day and the anniversary of Aretha’s passing, we are proud to show you that performance filmed that night.

We miss performing live so much but if you are not busy, come and join us as we present our first recorded #virtualconcert on the Covid-Zero platform


at 19h00 each night from Sunday 9 August through to Sunday 16 August.

We would love to have you with us as we remember this iconic lady.

Book your tickets here: https://tickets.heroticket.co.za/thero/shops/a96aa9c

The website for more information is

https://covid-zero.co.za/the-age-of-aretha

For more information contact us at

lesley

[ tags Covid -Zero ,Ticket Pro ,Aretha Franklin ,4 Tons of Fun ,Lesely Wells ,Star Trackers, Uncle Cal ]

RJ Benjamin & Ebrahim Mallum produce song #BecauseWeAre with 30 South African musicians

#BecauseWeAre: 30 South African musicians join forces.

30 Top South African musicians, including Vusi Mahlasela, Amanda Black, Arno Carstens, J’Something, Yvonne Chaka-Chaka, Karen Zoid, Majozi, Ready D, Khuli Chana, Zolani Mahola and more, under the banner of the Mzansi All-Stars, have joined forces to release a campaign with song titled #BecauseWeAre, which aims to encourage unity, resilience, and action.

The song was written by Zolani Mahola and Aron Halevi with creative input from Dylan Wray (director of education human rights organisation, Shikaya).

Zolani Mahola shares: “There is something so precious about co-creation… from the initial impetus to the realisation of the dream.

This song is the beginning of a conversation about national unity, about our responsibility to create the society we want to see. I’m excited to be a part of that wonderful future.”

Aron Halevi adds: “We want the song to ignite a conversation around how we can emerge from this pandemic even stronger than before, and what we can each do to contribute.”

All contributing artists

Amanda Black, Ard Matthews, Arno Carstens, Agape, Bonga Kwana, Buhlebendalo Mda, Cheistar, Craig Hinds, Divine Mahara, Early B, Emo Adams, Francois Van Coke, Gabriela Diamond, Jabulani Mthembu, Jack Parow, J’Something, Jedd Kossew, Jeremy Loops, Jimmy Nevis, Kahn Morbee, Karen Zoid, Khayelitsha United Mambazo, Khuli Chana, Majozi, Ready D, Shane Cooper, Vusi Mahlasela, Yvonne Chaka Chaka, Zoë Modiga, Zolani Mahola.

you can stream or download the #BecauseWeAre song on all major digital platforms globally here: http://platoon.lnk.to/BecauseWeAre

image001.jpg

#BecauseWeAre is more important than ever now for individuals, communities and institutions to come together and reflect on where we are as a country, and where we are headed.

COVID-19, and the lockdown, have highlighted the fractures in our society and structures, and momentary gestures of goodwill alone will not sustain us through and beyond this unprecedented moment.

The dynamic campaign, will hopefully drive a conversation around where we are and where we are headed, how we build resilience as a country and support unity.

This conversation will be used as the basis for an education programme encouraging young South Africans to think about their choices and how they can influence their futures.

W CAPE DCAS RELIEF FUND OUTCOMES AND TRANSFER PROCESS TO OFFICIALLY COMMENCE NEXT WEEK

As the independent adjudication process has now officially concluded and the findings presented to the Department of Cultural Affairs and Sport (DCAS), outcomes of relief funding applications will be communicated to all applicants next week, 20 July 2020.

The public call for the DCAS relief funding within the sport and cultural sector officially opened on 5 May and closed 19 May 2020.

The arts, culture and heritage relief fund of R4 700 000 was set aside primarily to offer relief to creatives and not to compensate for losses incurred.

The fund received 1058 applications in total, with 948 adjudicated after duplications and unrelated applications were removed.

The work of the adjudicators was concluded on 3 July 2020 and underwent quality checks before presenting the report to the Department.

Thereafter, the required administrative processes were followed to approve the 691 (73%) successful applicants, inclusive of Minister Marais’ sign off.

The combined revenue losses to applicants came to a total of R 58 612 195, a clear indication of the devastating impact of the COVID-19 pandemic on the sector.

Minister Marais will write to the national Minister to raise these concerns and motivate for additional funding to better assist the sector.

Minister Marais is happy to announce that we will begin the process of informing all applicants of their respective outcomes and start transferring the allocated funds in compliance with the legislative framework requirements. The expected date for informing artists of outcomes and processing of transfers is from the week of 20 July 2020. In cases where an applicant is successful but did not provide payment details with their application forms, it may take longer to process because of the time it would take to source and verify the needed information to securely process the transfer of funds.

To bring the sport and recreation COVID-19 relief funding strategy into fruition, the criteria for assessing this support, the identification of beneficiaries and the mechanism through which the fund is managed was done in consultation with the Western Cape Provincial Sport Confederation. The sport and recreation adjudication committee completed its work in June 2020 after receiving 108 federation applications on behalf of their various coaches, athletes, technical officials and recreation entities across the province. To ensure transparency and greater range of support, with only R1 million available to fund our provincial sport and recreation relief applications, the national Department of Sport and Culture was requested to provide the Western Cape DCAS with a database of our provincial athletes, federations and entities that have applied for the national relief fund and the outcome of those applications. Should an application have been successful, the applicant will not be eligible for any provincial relief. Payment to successful applicants will also commence next week.

An Appeals Committee has also been established and will be responsible for presiding over all appeals and/or complaints that emanate from the COVID-19 Relief Fund Adjudication Panel and application outcomes. Details of the appeals process will be communicated to each applicant as they are informed of their respective outcomes. The Committee will consider the documents submitted and engage any other relevant person, including the applicant, to further engage on the matter before taking a decision. It is important to note that a decision of the Committee will be final and binding to all parties.

Minister Anroux Marais said, “In the dire fiscal environment in which we find ourselves, the possible deterioration of the socioeconomic wellbeing of citizens will further impact the tax base, increase dependence on governmental services, further augmenting the number of indigent households which requires additional support across the three spheres of government. This will compound existing developmental challenges and extend fiscal demands on government as unemployment will rise due to the lockdown. Based on the experience of countries further along the trajectory of the pandemic, this crisis is likely to last for months and will require an immediate planning and budgetary response, while considering a post COVID-19 strategic approach. Some of the hardest hit are sport federations, artists and cultural organisations whose sole source of income is generated from events and programmes that had to be cancelled due to lockdown regulations.

Most of these organisations and individuals are adversely affected by the lockdown regulations, making the provision of social relief for them vital.

We thank our valued partners and dedicated officials for their continued support in our joint efforts to combat this virus in trying times. Their proactive efforts to assist the Western Cape Government’s Whole of Society and Whole of Government Approaches does not go unnoticed. Together, we will beat this pandemic and continue to collaboratively work towards a socially inclusive, active and connected Western Cape through sport and culture.”

Deezer partnered up with Sipho ‘Hotstix’ Mabuse to create a special tribute playlist ‘Nelson Mandela A Life Story in Music’.

In honour of Nelson Mandela Day, global music streaming service Deezer partnered up with Sipho ‘Hotstix’ Mabuse to create a special tribute playlist ‘Nelson Mandela A Life Story in Music’.

The exclusive playlist narrated by Mabuse is a personal journey into the musical taste of Mandela.

We first debuted this playlist ahead of Mandela’s centenary birthday in 2018.

As a beloved and special playlist for the South African community, music fans will once again be able to hear loving commentary from Mabuse.

Some of Mandela’s favourite featured artists include: The Manhattan Brothers, Solomon Linda, Brenda Fassie, and Miriam Makeba.

It also features struggle songs from Chicco, Johnny Clegg, Hugh Masekela, and Yvonne Chaka Chaka.

“Nelson Mandela will always be my role model and I am delighted to share my personal reflections. It is an honour to pay tribute to his life and it is something I do with utmost respect and joy.” said Sipho ‘Hotstix.’

Nelson Mandela, ‘A Life Story in Music’ will be available until 31 July 2020.

visit http://www.deezer.com

#NewMusicFriday a SA house music classic, “Change The World”, is available on Streaming platforms now

One of the biggest songs of RJ Benjamins career and a song that many now consider a SA house music classic, “Change The World”, has never been available on Streaming platforms.

Well…it’s finally available!

Many thanks to Sergio Botelho for helping RJ get the song up!

Here’s a link to the ‘Change The World EP’ and for context, if you’d like to know the details RJ breaks down each version: https://smarturl.it/20scx3

Track 1. Change The World – DJ Masterjam feat. RJ Benjamin (Dr Duda Remix) – This was not the original version of the song but it was the version that in Dec 2008 and into 2009 had a huge portion of Southern Africa losing their minds. It literally changed my career in positive and negative ways. I think it influenced a lot of the SA vocal house music of the 2010’s.

Track 2. 2010 Change The World (Feat. Slikour) – if my memory serves me right, Slikour was going to rap on the original version of ‘Change The World’ (recorded in 2007). He was at the session but decided not to record a rap. In 2010 I finally convinced him to record a rap for the song and it is awesome 🙌🏻 This version is also produced by the legend that is Dr Duda.

Track 3. Change The World (Chris Sen Remix) – besides Dr Duda’s massively popular remix, this is by far the best remix ever done to the song.

Track 4. Change The World DJ Masterjam Feat. RJ Benjamin – This was the original recorded back in 2007. Sheree O’Brien set up the session with Duda, Slikour and myself. My life at the time was in utter turmoil. A string of life-changing events occurred during this period. My late dad’s brother passing away, the most traumatic break-up in my life, a house break-in that could easily have ended in me losing my life, a friendship and fallout with a SA music legend, along with a small war with a major label. All of it influenced the way I was writing and I wrote this song. It was all about trying to inspire the idea that if each of us do our small bit we could change the world for the better. I actually hate this vocal. I was not in the right headspace at the time and I very clearly remember walking out of the session thinking nothing will happen with this terrible vocal I recorded. You can clearly hear with the additional vocals on this version that I was struggling to get in the zone. Who knew Duda would rework it into such a banger 🤷🏻‍♂️

Track 5. 2012 Change The World – this was the only RJ produced version of the song. I wanted to create a fully live interpretation that would take the song completely out of its typical house form while still using the elements that made the song so successful. It’s basically a “what if the Gypsy Kings were given Change The World to remix” 😂

Delighted on behalf of Music Exchange to judge the 3rd annual Delft Youth Talent 2020

Delft Youth Festival is an innovative partnership community project between Bold Moves and Good Deeds Foundation, with support from other NGO’s, schools, businesses and organisations in Delft.

In 2018, the Festival was first launched to coincide with South Africa’s National Youth Day of remembrance for all the brave students and young citizens who took part in the 1976 Soweto uprising protests. The Festival’s purpose is to celebrate, unite, transform and empower the youth in Delft. The festival contributes positively to the long term social, cultural and economic development of Delft as a community.

Sadly, due to the ongoing challenges of covid19 in South Africa and around the world this year’s festival will focus only on the ‘Delft Youth Talent’ segment as a virtual project.

The Delft Youth Talent provides the opportunity for local diverse people in the Delft area to showcase their talents, promote social cohesion and cultural integration, and bring the community together in a fun and safe environment. Our targeted age is 7 years minimum to 35 years maximum, solo and group entries welcome.

AUDITION & FINALS

1) Delft Youth Talent Audition (Virtual) opens Tuesday 9 June and closes Tuesday 16 June.

Contestants to submit through our email, a short 4 minutes maximum video showcasing their talent. At the beginning of the video, each contestant must state his / her full name (s), name of the group (if applicable) and their act (singing, dancing, playing instrument, recital of poem, drumming, etc). All talent welcome. The top twenty (20) contestants will be featured regularly on our Delft Youth Festival facebook page and other social media platforms.

2) Delft Youth Talent Finals (Virtual) will take place on Saturday 27 June 1pm to 3pm.

Twelve (12) finalists will be selected from the top twenty (20) contestants by 3 dynamic, diverse and experienced judges (Ann Juries-May – actress; Nomi Mzamane – Producer, Actress & Presenter & yourself). The idea is for the 12 finalists (given different ‘spaced’ times to attend) to perform (by appointment one at a time) from a venue in Delft where covid 19 compliance will be taken seriously.

Mrs Kemi Akiyode-Adebayo

Executive Director / CEO

Cell / Whatsapp: +27 (0) 79 084 2987
Facebook: Bold Moves Africa

Mandisi Ads launches airport campaign at Cape Town International Airport

Mandisi Ads an out of home advertising services black-owned company, has partnered with Sizwe Medical Fund, to roll-out a disruptive stand-out appeal out of home (OOH) campaign at the Cape Town International Airport.

Dr Simon Mangcwatywa, the principal officer of Sizwe Medical Fund, said, “Sizwe Medical Fund is a medical aid for the people. Partnering with Mandisi Ads in support of the OOH Campaign at Cape Town International Airport was another touch point we saw fit in reaching the business and the leisure traveller criss-crossing between the two major financial hubs by bringing brand efficacy closer.”

Mandisi Maqetuka, the chief director of Mandisi Ad, said, “We are highly confident that, with this creative and effective new airports golf carts branding, of which is an exclusive Mandisi Ads channel, at the Cape Town International Airport …. busiest airport in Africa with over 10 million passengers annually.”

He said Sizwe Medical Fund’s brand would reach a burgeoning market of largely affluent business and leisure travellers.

Mandisi Ads, a small business, said this campaign was a big milestone .

Mandisi Ads, has an extensive OOH advertising inventory across Acsa airports as well as Passenger Rail Agency of South Africa train stations, prime malls and in various townships in South Africa, offering an increased value to clients.

Email: zanefor business enquiries.

A NEW SMME AND CORPORATE BUSINESS COLLABORATION DESPITE COVID-19 PANDEMIC CURRENT STATE.

LOCKDOWN, SIPHO ‘HOTSTIX” MABUSE AT BAXTER the Review

LOCKDOWN, SIPHO ‘HOTSTIX” MABUSE AT BAXTER
by Robyn Cohen Jun 8, 2020

In October 2018, Sipho ‘Hotstix” Mabuse performed on the Baxter stage, accompanied by Tony Cedras, Roeshdien Jaz, Siphokazi Jonas, Mmino, the South African Youth Choir and other artists.

It was the second time that Mabuse played at the Baxter, during his half a century on the musical boards. We were away – one could be “away” in those days – and missed that sold out concert.

It was on for one night only.

Luckily, for us, we were fortunate to have been present at Spier, in March, 2017, when Mabuse performed with Freshlyground. This was a celebration of Mabuse’s 50th year in the music business. It was magical. Watching Mabuse performing Weeping with Zolani Mahola, Peter Cohen and Freshlyground – well – I have no words.

Still I was gutted that we missed out on the Baxter 2018 concert and was thrilled to find out that the concert had been filmed.

The recording was archived by one if the concert’s producers’ Music Exchange (MEX) and during lockdown, it was edited for live streaming on the Ticketpro Covid-19 platform.

By popular demand, the live stream has been extended until Friday – June 12, 2020.

Don’t miss it. Tickets are R20.

To find out how the stream operates, see article on this site. You cannot navigate away from the link, for example. If you do, you need another ticket Read the preview article for info.

Here is the link: https://thecaperobyn.co.za/live-stream-tickets-sipho-hotstix-mabuse-baxter-2018/

We loved watching the streamed 2018 Baxter concert. I will tell you why.

In addition to being a privilege to be able to see the extraordinary Mabuse and colleagues jamming on stage, the recording is a keepsake of a time when it was possible to gather at the theatre; dance together and rejoice in ‘being there’; being part of a live happening.

I like the fact that the film recording provides views of the audience; the joy of being present.

As with all his concerts, Mabuse’s charisma and warmth is palpable. He chats between sets and constantly gather others into his ambit.

In tandem with Mabuse, in the Baxter concert, we hear Martin Myers [manager and friend of Mabuse, Music Exchange CEO, producer] paying tribute to musical talent of South Africa, He talks about composer Trevor Jones [he has composed the music for blockbuster films like Notting Hill]. Myers talks about Tony Cedras who has played with luminaries like Paul Simon [Cedras was on the Graceland tour].

For me it come across poignantly as Myers urges us to honour our performing artists – in every way – artistically and financially. He is saying – look everyone, Trevor Jones is more appreciated -out of his home country – listen up.

The Baxter concert was staged in 2018 and now as we watch during lockdown in the Covid pandemic, those words resonate, deeply.

Artists have had their income streams decimated by the pandemic and the global lockdowns, quarantines, shelter in place – whatever name one uses – it has been catastrophic – for artists who rely on live gigs to generate income.

In the lockdown interview with Mabuse – read it on TheCapeRobyn – Mabuse notes that he doesn’t have high speed internet at his home in Soweto. Here is this extraordinary man – internationally recognised and in the lockdown, he is not wired to watch his own concert which is being streamed.

There are wonderful moments in this concert. There is that song. Sipho ‘Hotstix” Mabuse’s classic, Burn Out[1984]. “I’ve been watching you; Everyday of my life, mhhh … You gonna burn out all my love…Tonight, I’m gonna hold you till you cry…Hold you till you cry for more.” We watch in lockdown, holding on to – everything.

Roeshdien Jaz takes my breath away when he does his Waterfront song as I call it. Down by the Waterfront [2018] is his tribute to the V&A Waterfront – the vital hub that draws people from our country and from abroad. It is a synthesis of city and sea and embodies the energy of the port city of Cape Town.

The Waterfront was one of the last places that we went to, prior to lockdown. We had an errand to do there. It wasn’t a fun outing. Almost all the restaurants were closed. People were scurrying around, getting ready for lockdown. Many of those are venues which host live music. There was fear, anxiety and confusion. Who knew what was to come? Already, it looked like a ghost town – an abandoned landscape. And there on the Baxter concert stream is Jaz singing his Waterfront song and talking about this wondrous site which brings so many people together. I watch and gasp. I want to be transported back to The Waterfront, with its amphitheatre, crammed with people crushed next to each other, enjoying the beautiful city. I want to be present at a gig in one of the restaurants or watching comedy at The Cape Town Comedy Club.

I wonder which establishments will survive the lockdown. Who knows if artists will be able to perform live at The Waterfront – by the time summer 2020 arrives. I hope so

Watching the live stream of the Mabuse 2018 concert is not only about the opportunity to see an acclaimed concert via a live stream but it is also an opportunity to reflect and celebrate the creative talents of Sipho ‘Hotstix” Mabuse, Tony Cedras and others.

Buy a ticket at R20.
When theatres are open, go and watch them live. The motto of my website: Go while you can.That was put into place, way before the pandemic. You never know when you will not be able to go, is what I always said. And continue to say. In the pre pandemic says, people would tell me that they had every intention of going to an event but something came up. Or they were tired. Or they got diverted by something else. Or they forgot. Or whatever.

Now, we cannot go. We cannot commune in a theatre; at a live music event. On the other hand, we can experience the magic of the 2018 concert through a superbly filmed film recording. It is as if one is there. We ARE now here in lockdown. That is a moment to mark as well- in its pain and isolation and ache of being disconnected from others. Hopefully we will be back in theatres, watching Sipho ‘Hotstix” Mabuse and friends and we will say: “Just think, a year ago we watched the live stream at home and now we are back and the music is on the burn and everything is okay. That is all in the past.”

Don’t say after lockdown –“oh no I missed the livestream of the concert. I meant to watch it but I didn’t.” Could have. Should have. Didn’t. Go while you can. Stream it while you can.

%d bloggers like this: